No doubt -Spider-Man: Across the Spider-Verse (2023)

Spider-Man: Across the Spider-Verse is an upcoming animated superhero film based on the Spider-Man characters created by Marvel Comics. It is the sequel to the critically acclaimed 2018 film “Spider-Man: Into the Spider-Verse.” The film is being produced by Sony Pictures Animation and will be distributed by Sony Pictures Releasing.

“Across the Spider-Verse” continues the story of Miles Morales, a young Afro-Latino teenager who takes on the mantle of Spider-Man in his universe. The film will explore the concept of the Spider-Verse, which is a multiverse that brings together different versions of Spider-Man from various dimensions.

The first teaser trailer for “Spider-Man: Across the Spider-Verse” was released in November 2021, revealing that the film will be split into two parts. The teaser showcased Miles Morales meeting an alternate version of Spider-Man, Gwen Stacy, also known as Spider-Gwen. The film promises to dive deeper into the multiverse and feature new and familiar characters from different dimensions.

The stunning visual palette of “Spider-Man: Into the Spider-Verse” soared in 2018, combining that eye-popping animation with an abiding love of the comics and plenty of goofy humour. Coming almost five years later, “Spider-Man: Across the Spider-Verse” spins a much denser web, padding on about 40 minutes that make this exercise heavier and considerably less nimble.

While the movie remains a dazzling experience in terms of what the animation achieves, it indulges in what feels like sensory overload, seeking emotional heft in ways that slow down the action. The movie also falls victim, somewhat, to the blessings and curses associated with the multiverse, which offers infinite possibilities but also the occasional sense that there are so many permutations none of them matter all that much.

Miles Morales (voiced by Shameik Moore) is a Spider-Man whose parents are naturally exasperated by his unreliability; Gwen Stacy (Hailee Steinfeld) is a super arachnid in her own universe and, like Miles, has a parent in law enforcement. (This is her dad, although it isn’t immediately clear why her gender-flipped status doesn’t entitle her to a cop mom.) There’s also a Spider-Man India (Karan Soni) and a grown-up Peter Parker (Jake Johnson). Miles is threatened by an enemy connected to his original calamitous spider bite and an existential crisis looms.

Spider-people who are different. Viewers have been invited to identify with Spider-Man since the first adaptations of the comic book in the 60s, and are now given a choice of how to identify. It’s dynamic and intriguing, though the detail and the emotion can get lost in the splurge.

Hope, as they say, springs eternal, and we haven’t seen the last of the Spider-Verse. Yet that doesn’t fully offset the spider-tingle that says this plus-sized version of “Spider-Man” sticks around longer than it should.

“Spider-Man: Across the Spider-Verse” premieres June 2 in US theaters. It’s rated PG

There are moments when “Across the Spider-Verse” genuinely delivers on a storytelling level, and the sheer artistry is never less than impressive, if lacking in the same sense of discovery. Like its predecessor, this is one of those movies made to be watched again, though more in bits and pieces here than sitting through the whole thing, which perhaps best defines the gap between them.

“Don’t even get me started on Doctor Strange and the little nerd back on Earth-199999,” he rants, a direct nod to Holland’s Peter Parker and his actions in the MCU epic.

Hope, as they say, springs eternal, and we haven’t seen the last of the Spider-Verse. Yet that doesn’t fully offset the spider-tingle that says this plus-sized version of “Spider-Man” sticks around longer than it should.

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